Mariana Bolfarine: USP SPECTRESS Fellow in Bochum

I am from the University of São Paulo in Brazil and, as part of the SPeCTReSS project, I spent one month at Rühr Universität in Bochum, Germany, and my mentor was Dr. Stefan Berger. The theme of my research is trauma and fictional representations of the sidelined historical figure Roger Casement, sentenced to death for high treason, for having sought German support for Irish independence at the brink of the First World War. Casement’s writings as a British Consul exposing atrocities committed against humanity are illuminating in terms of the way in which he was able to navigate through African and South American countries and cultures.

Christmas Market in Düsseldorf

Christmas Market in Düsseldorf

I arrived in Germany in the last days of December and left at the end of January, a period when most colleagues and students were not around. I was based in the city of Bochum, known for coal mining and, of course, a must-see is the Deutches Bergbau-Museum, which reveals history of mining in the Rühr area.

I also profited from the fantastic facilities offered by the university, such as the library. I took some of my time to visit other cities such as Berlin, whose cityscape carries the indelible scars of traumatic events, such as the two World Wars and the remnants of the Berlin Wall, reminding us that there are visible and invisible ways to promote division. I did not have time to visit all museums, but the Anne Frank Zentrum is certainly worthwhile in order to understand how a collective traumatic event affects the lives of individuals, such as the Frank family.

Child interacting with the Jewish Memorial

Child interacting with the Jewish Memorial

In terms of research, I profited immensely from a short stay in Belgium, as I had arranged a visit to the archives kept in the Royal Museum for Central Africa, in Tervuren. The Museum is known worldwide for its African masks and artifacts that date from the early 20th century reign of the absolutist monarch Leopold II. It is one of the most visited in Belgium, but it is being renovated. At the Research Centre, I had the chance to read and photograph the material I needed for my ongoing research on Casement and the African Congo.

I was particularly taken by surprise with Germany, which I already knew was outstanding in terms of culture, infrastructure and social services. But what really called my attention was the people. Even though I do not speak the language, the Germans made an effort to communicate with me, and helped me carry my suitcases on the trains or gave me precise directions when I was lost. One man even changed a 100 Euro bill that no one would take, for two 50 Euro bills.  My landlady in Bochum was really kind, and gave me tips concerning what to do, where to eat and how to use the washing machine with two doors.

Section of Brazilian products in a Berlin supermarket

Section of Brazilian products in a Berlin supermarket

Different from the perspective of a European travelling to the “developing” urban landscape of São Paulo, I went in the opposite direction. I travelled from a society where trauma is an ongoing, daily process, as we are surrounded by social inequality, river and air pollution, poor transportation and fear of being approached by pickpockets.

However, despite the stark contrast in terms of infrastructure such as excellent public transportation and less social inequality, I arrived in Germany two weeks after the terrorist attack at the Christmas Market in Berlin. Hence, to my mind, the Spectress secondment program was valuable as it provided me with a different perspective towards binary oppositions such as “developed” x “underdeveloped”, “us” x “them”, “safe” x “unsafe”, “polluted” x “clean”. As a result, after the experience of spending time in a country that is not one’s own, makes one capable of deconstructing pre-established preconceptions. Therefore, I suppose the lesson I have learned is that we all have monsters in our closets that that become less menacing when looked at up close, spoken about and “worked through”.

Candles

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Call For Papers – Rethinking Cultural Trauma from Transnational Perspectives, São Paulo 22-25 August 2017

The SPECTRESS network and XII Symposium of Irish Studies in South America will host a conference titled “Rethinking Cultural Trauma from Transnational Perspectives” from 22nd to 25th August 2017 in São Paulo, Brazil.

The aim of the Conference is to gather SPeCTReSS researchers to discuss the results of the three-year international joint-research project developed by eight universities: Trinity College Dublin (Ireland), Rurh-Universität, Bochum (Germany), Jagiellonian University (Poland), University of Tartu (Estonia), Zagreb University (Croatia), Jawaharlal Nehru University (India), University of São Paulo (Brazil) and Yale University (United States). Delegates of the annual ABEI symposium of Irish Studies in South America and researchers of the WB Yeats Chair of Irish Studies will also join the event hosted by the University of São Paulo.

Abstracts should be sent via email to: abei.abeibrasil@gmail.com
Deadline: 10 May, 2017

You can download the Call for Papers here.

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Pawan Kumar: JNU SPECTRESS Fellow in Dublin

The scholarship offered under the SPECTRESS project gave me an opportunity to have a closer look into W.B. Yeats’s world so as to understand the subtle aspects of his creative imagination: what constituted the Irish imagination of Yeats, which images metamorphosed into his symbols and his poetic voice, the books that shaped the poet-persona of Yeats, and the people and the places of Ireland that keep Yeats immortal and alive (lovingly and warmly referring to Yeats as W. B., rather than W. B. Yeats)!

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Interestingly, I was given an accommodation in Blackrock, which is close to both Sandymount (the birth place of Yeats and the house of Seamus Heaney) and Sandycove (known for the Martello tower owned by James Joyce). The daily ritual of walking through the lanes of Blackrock for taking the DART was a blissful and memorable experience: I stand inexplicably enriched just by walking past the local market, the Church, the primary school and the art activity center, the beautiful houses, the small shops, the gentle smiles
of complete strangers, and the soothing strokes of the wind blowing over the Irish Sea. It was like walking though Joyce’s Dublin and Dubliners.

Most of my work involved conducting extensive research in the National Library of Ireland
(NLI), and I fondly look back to every single day of my archival research, primarily because of the hassle free system of the library and the supportive staff at NLI. Although going through Yeats’s Vision Papers, Occult Papers and especially his mammoth library collection seemed a daunting task, but with the help of dexterous and extremely helpful librarians, I was successful in achieving the target I had set out to achieve. In fact, while going through Yeats’s manuscripts, I realized that there are numerous areas in Yeatsian scholarship which are hitherto unexplored, especially if one is working on Yeats from an Eastern perspective. This, in turn, inspired me to keep wading through the ocean of material available at NLI. Additionally, I was extremely fortunate to be in Ireland at a time when NLI organized a series of lectures on W. B. Yeats, and to witness their ongoing Yeats Exhibition, which I think is a must-visit for any Yeats researcher and scholar.

The scholarship also gave me the golden opportunity to participate in the fortnight-long
Yeats Summer School in Sligo. This was the highest point of my scholarly engagement with Yeats during my stay in Ireland: listening to and discussing my doctoral research with experts on Yeats, meeting other young scholars working on Yeats, watching performances of Yeats’s plays and poetry in various theatre houses in Sligo, taking numerous walks  along the Atlantic (especially at Rosses Point and Strandhill), seeing and experiencing locales associated with Yeats, in short, soaking in the spirit of Yeats.

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To add to this, I also attended various talks, seminars and conferences organized by the Long Room Hub, my host at Trinity College, Dublin, and needless to say, they aided my
understanding of the various intricacies of research and acquainted me with the numerous new researches going on in Humanities and Social Science. I am thankful to the LRH for providing me a conducive space and ambience to conduct my research. To my relief, the library of Trinity College houses almost everything that a Yeats scholar may possibly require, especially rare books related to Yeats’s mystical and esoteric aspects. The aspect of LRH which benefitted me enormously is the fact that one can exchange ideas with people across disciplines and get valuable suggestions and inputs from scholars, professors and faculty members.

It will not be an overstatement if I say that I have learnt innovative research skills during my six months of stay in Ireland, and that the scholarship offered by SPECTRESS has really helped me in collecting invaluable and previously inaccessible material for my research, thereby giving me greater clarity about W. B. Yeats’s politics and philosophy, and providing a strong ground to my doctoral research.

 

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Märt Läänemets: UT SPeCTReSS fellow in New Delhi

I had my three-month secondment in September-November 2015 in India at the Jawaharlal Nehru University (JNU), New Delhi. Looking back from the time distance of more than one year to this period I only can wonder how intensive it was full of academic work, lecturing, visits, meetings, mini expeditions etc. many of the impacts and outcomes only being in the process of developing and maturing.

It was not my first visit to India. Due to my academic interests in Indian religions and culture I have studied and researched some 30 years I had had few trips and expeditions in this country earlier and generally knew what India is and did not face much surprises or culture shock there. But this was my first experience to live a longer period of time in the genuine vibrant Indian urban neighborhood sharing my everyday life with local Indians from which I learned a lot what I didn’t know or even expect before.

As my formal host institution – the Centre of History at the School of Social Studies (SSS), JNU – left me freedom to arrange my time I gratefully used this rare opportunity and made my schedules by myself. Mainly I shared my time between writing and reading and trips outside New Delhi, lecturing, making contacts, sightseeing, and simply enjoying the thousand-faced Indian life.

The height of my time in India undoubtedly was my two-week expedition to Bihar and Varanasi to visit famous historical sites connected with life and activities of historical Buddha more than two thousand years ago. I visited them first time and all of them – Bodhgaya, Sarnath, Rajgir, mountain peak of Ghridrakuta, ruins of ancient monastic university Nalanda – surpassed my expectations. A new exploration for me was the Jethian Valley or Buddha Valley, an ancient pilgrimage road between Bodhgaya and Rajgir, where you literally in every step can stumble on the remains of ancient stupas and artefacts. The day I spent there with my wonderful guide Deepak Anand from the Nava Nalanda Mahavihara University visiting sites and meeting with local people was unforgettable.

From the thousands of photos I shot there I compiled a photo exhibition „Buddha’s Footprints in Bihar“ in my home institute in Tartu that was open more than six months in the first half of 2016. The pictures exhibited there are still available online as well, unfortunately with explanations only in Estonian language: http://www.eao.ee/pildid/buddha-jalajaljed-biharis/

Another valuable contact and co-operation project was established with a private Hindu university – Dev Sanskriti University – in the holy city of Haridwar. I visited that institution twice invited by very enthusiastic pro-vice-chancellor of it Prof. Chinmay Pandya. My deepest bow to him. During my visits, I wondered how profound Hindu religious spirituality has harmonically merged with modern scientific approach in research work and educating people there inspired by the late visionary and holy man Shriram Sharma. I hope this is the most viable vision for the future India. Last, but not least, this private Hindu university is first in India which has established its own Centre of Baltic Culture and Studies in order to advance Baltic studies and I am happy to contribute in this work.

I may continue my story in many pages as all the impressions, meetings, conversations seem to be unnecessarily important to express and share but I stop here and express my deepest gratitude to SPeCTReSS administration, to hosts and colleagues in JNU, to all Indian people I met there for offering me such a wonderful and unforgettable opportunity and experience.

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Magdalena Heydel: JU SPECTRESS Fellow in Sao Paulo

I spent a month as a SPECTRESS scholar in Sao Paulo between June 25th and July 25th 2015. My time at USP which was my host institution was devoted more to my own work than to collaboration and interaction with colleagues and students. The period of my stay coincided with Brazilian winter break, so there were not many people around. Still I had a couple of very valuable meetings in Sao Paulo.

My mentor was prof. Laura Izarra and we had a long and interesting conversation on the related fields of our research and translation project we both undertake. Professor Izarra together with a team of collaborators and students translated into Portuguese and edited the journals of Roger Casement, which was of great interest to me as a translator of Joseph Conrad’s prose (my translation of Heart of Darkness into Polish was published in 2013).

I also met Prof. John Milton whose work is in Translation Studies, the area of my own research. Another interesting meeting was with Silvia Cobelo, also a TS scholar. But definitely the most valuable contact in Sao Paulo was Eda Nagayama, who took the role of my “guardian angel” and helped me with so many various aspect of my residency: from mundane practicalities of everyday life to introducing me to fascinating multicultural life of Sao Paulo. I am very grateful to her for her generosity: the time she offered me, all the wonderful conversations and the fun we had together. I am very glad to be able to return her friendship at least partly during her secondment in Kraków in 2016.

Thanks to the SPECTRESS scholarship I was also able to take part in the world congress of IATIS (International Association for Translation and Intercultural Studies) which took place at the University of Belo Horizonte and coincided with my stay in Sao Paulo. This was undoubtedly a very fruitful part of my residency, not only in terms of academic discussions but also as far as networking goes.

My presentation at the congress was devoted to Czesław Miłosz as self-translator in the context of intercultural mediation. Miłosz’s practice as a translator of Polish poetry into English, which played an influential role on the literary plane as it created the phenomenon known as “the Polish school of poetry”, was an effect of his forced emigration to the US where he actually spent more than half of his long life. Basing also on my research at the Beinecke Library, Yale (2014) where Miłosz’s archives are kept, I looked at the relation between the personal, poetical and political and at the ways in which traumatic life experience colours the poet’s translation practice.

The time in Sao Paulo gave me a unique chance to work on this project as well as other related topics. I spent a lot of time at the Biblioteca Brasiliana (the Mindlin Library) which offered a perfect quiet place for my work.

 

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Munira Mutran: USP SPECTRESS Fellow in Dublin

In Dublin as a Research Fellow at Trinity College Dublin, Trinity Long Room Hub. A Memoir

My arrival in Dublin last May was different from all the other times I visited it over the past years. I felt, then, that I actually lived in Dublin and worked at the Long Room Hub which impressed me for its sociable effervescence and friendliness during its innumerable activities permitting intellectual integration. I also noticed that in the fourth floor, quiet, concentrated scholars, worked for hours on their research. My office was an ideal space for reading and writing. To leave behind my busy life in São Paulo, to have weeks ahead to spend at the Hub was a dream! On the table ten books borrowed from the Library wait: I begin with Histoire de la Violence. The light is perfect, silence complete – what else do I need?

When tired, I cross to the Common Room, my favourite corner, to rest and to recollect ideas in tranquility. Going to the different libraries to examine books in their shelves was also fascinating. I met Eiléan Ní Chuilleanain twice in the Classics section, deeply involved in her quest.

Perhaps because I am staying in the very centre of the city I meet many people by chance. On one of such occasions, my Brazilian friend, Patricia O’Neill O’Flaherty sees me in Grafton Street and we start speaking Portuguese excitedly; shortly afterwards, while waiting for the traffic lights to change, someone calls my name – it’s Vincent Woods, who has visited my university twice. We decide to meet at the Mock Alley Theatre where Michael Longley will read the Aeneid – Book VI, translated by Seamus Heaney. When I immediately try to book for the reading, I am informed that it is sold out. I console myself by going to Books Upstairs (now on D’Olier Street) to buy Heaney’s recent book. At the coffee shop I cannot resist a pistachio cake with hot chocolate. I love these corners in Dublin…

Another unexpected encounter happened on Bloomsday: in front of Davy Byrnes, among the crowd, I am glad to meet John Banville who lectured at the University of São Paulo in 2002.

But not all encounters are by chance. I am invited by Caroline Phelan whom I met in Brazil when she was working at the Irish Embassy in Brasilia, to see Da Vinci exhibition at the National Library and also our favourite J. B. Yeats paintings.

Another memorable event was Jane Ohlmeyer’s reception for a large group of researchers at her beautiful house in Camden Row, where I had the pleasure to talk to Sucheta and Bodh, from India, and to colleagues from various universities. What I remember most from that evening is Simon’s and Jane’s hospitality and friendliness.

My adventure at the GPO is a cherished memory too. After having lunch with Maureen Murphy, she told me she had brought to Dublin an Irish tri-colour belonging to the Lower Manhattan Society all the way from the States so that the flag could be raised at the GPO. We were taken to the roof top and were witnesses to the raising of that flag over the GPO a hundred years after the Rising. The flag fluttered in the breeze – it was a very moving moment! Later, it was taken back to mark the occasion in a parade in New York.

There are so many memories! One which I treasure most is going to the Abbey to see Murphy’s The Wake on my last evening in Dublin, and, to my surprise, I see Jane and Simon in the bar upstairs. After the play we crossed O’Connell Bridge and walked through a still lively Grafton Street to Stephen’s Green where we said good bye.

I am deeply grateful to the dedicated scholars and staff of the Long Room Hub for making my secondment so pleasant and so meaningful from the personal and academic point of view: Jane, Jennifer, Deirdre, the two Sarahs, and Aoife have been very generous with their time, very understanding and full of interest.
My stay in Dublin happened three months ago: when I arrived in May, the tulips were blooming in Stephen’s Green; now, it’s springtime in São Paulo, my orchids are lovely, but I long for the tulips…

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Luiz Fernando Ramos: USP SPECTRESS Fellow in Dublin

I choose to develop my research with the SPECTRESS Project at the Trinity College Dublin, and was kindly received by Jennifer Edmond, who offered me ideal conditions for working on my research on W.B. Yeats’ theatre. I was looking for to find out whether the Easter Rising, as a tremendous historical event, reverberated as a traumatic experience forcing the poet’s option for a more abstract and stylized theatre, mainly expressed in his four “Plays for Dancers”.

The Winding Stair, the best restaurant of Dublin.

The Winding Stair, the best restaurant of Dublin.

Sun set on the Liffey, Dublin.

Sun set on the Liffey, Dublin.


I was blessed by the timing of the trip, from January to March 2016. I could observe in a very comfortable and focused manner, how Irish society and the city of Dublin, a true jewel of the European community, prepared for the centenary of the Easter Rising, touchstone of the independent Irish Republic. The events related to this rebellion from the English domination were concentrated between 24 and 29 of April 1916. One hundred years after, the celebration of this starting point of what is today Ireland began in early January, coinciding with my arrival, and I had the opportunity of reading about that facts in special newspaper editions, watching TV series and films from the Dublin Cinema Festival reconstituting the fights, and attending productions from the Gate and The Abbey Theatre of plays from the main Irish dramatists on the matter, besides having at my disposal in Trinity dozens of lectures and debates about it.
Living in a small nice flat in the charming neighbourhood of Ranelagh, I was in a walking distance from the Trinity College and from the National Library, the two places that I daily visited, but had also much time for leisure, like watching the wonderful low skyline of Dublin from the bridges over the Liffey. It was winter time, which, for a Brazilian tired from the heat, can be very suitable, and was also able to travel a week through the Wild Atlantic Way, from up north to down south of the Island.

Pond in Ranelagh, Dublin

Pond in Ranelagh, Dublin

Sliabh Liag, Donegal

Sliabh Liag, Donegal


My research on Yeats has had a great improvement not just in the explorations of the links between the poet and the National cause, as well on his genuine point of view during the Independence War years, but also in his specific relationship with the British artist Gordon Craig (1782-1966), who had very much influenced the Irish poet in his drives towards the stage designing and to a more physical and material approach to the theatre.
I must thank very much Jennifer, Deirdre and Sarah, who guided me in the Trinity’s Long Room Hub, where I worked mostly, but especially Jane Ohlmeyer, Director of the Hub, whose warm hospitality made the difference in turning the whole experience a lovely one.

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